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Hang Painting, 2009

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posters, stick, rope and electric cable
225 x 330 x 121 cm

 
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Untitled, 2009

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Rape Posters
175 x 117cm

 
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Social Construcionism, 2009

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Thomas shutte posters to the Serralves museum, iron circle, zinc piece and valance
213 x 142 x 24 cm

 
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A single wind, 2009

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bed structure
108 x 101 x 62 cm

 
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Reclining figure#1, 2009

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found bathtube after a demolition
150 x 80 x 60 cm

 
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Exhibition wall, 2009

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garage roof, waved zinc plates
variable dimensions

 
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Principle of movement, 2009

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Pidgens perches boards
variable dimensions

 
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Gold and death, 2009

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Root, gold leaf and tar
52 x 106 x 60 cm

 
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Blind Totem, 2009

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Tar piece on zinc plinth
155 x 50 x 50 cm

 
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Momento

Jorge Shirley Gallery, Lisbon
Abril, 2009

Particularmente nesta mostra, o trabalho apresentado divide-se em duas abordagens singulares, sendo uma delas relacionada com o universo da pintura e suas extensões, a dimensão da imagem e da matéria, seus suportes e densidades.
A segunda abordagem, ainda nesta mesma exposição caracteriza-se por uma série de composições-objecto onde é explorada a relação dialéctica dos materiais usados, onde o tempo e a poética formal operam, através de valores e referentes etnográficos da nossa própria cultura do presente, operando uma linguagem de constante contradição onde a utilização de
materiais velhos podem gerar questionação sobre trajectória, comunicação e critica, através da escultura e seus dominios.

ING

MOMENT

Jorge Shirley Gallery, Lisbon
April, 2009

Particularly in this show, the work presented is divided into two singular approaches, one of them, related to the universe of painting and its own extensions on the dimension of image and matter, its supports and densities.
The second approach, still in this same gallery, is defined by a series of object-compositions where the dialectical relation of the used materiality, where time and formal poetics operate through ethnographic values and referents of our own culture of the present, operating under a language of constant contradiction where the use of old materials can generate wonders about trajectory, communication and criticism, through sculpture and its domains.

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